The denial of death is seen through the fragmented memories of a soul in pain.
This landscape is part of the transmedia project ” False Alarm”, based on real events, which uses technological error as an aesthetic posture and photogrammetry as an emotional document. A transmedia ode to Mexico City; a portrait of a Mexican family with conflicts in their beliefs and customs. A vision from metaphysical planes with synergies between Christian and Nahua beliefs, where the soul lives for a time separated from the body after death. Joel, a mechanic from Mexico City, lived fixing other people’s machines, but never his own.